On a beautiful spring day in the mid 1990s, I meandered the streets of Red Hook, when it was still a rundown Brooklyn neighborhood. I met its first art gallery owner, and the two longshoremen who ventured inside. This is one of my favorite stories for WNYC TV, the PBS station I worked for in Manhattan. (This station too is now history.)
Let me know what you think!
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(2:30 minutes) to listen!
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Chanticleer, for those who’ve been lucky enough to attend its concerts already know, is a delightful all-male classical vocal ensemble. It’s sold over a million albums is an audience favorite. Highly versatile, the group performs a diverse repertoire, ranging from Renaissance music to gospel to new music to jazz. It’s all fabulous, as you will hear. I put it together for WNYC, when the public TV station still existed in NYC in the late 90s. Enjoy!
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So let’s say you have leukemia. You have relapsed. What can art therapy do for you? Here at Mount Sinai Hospital in Manhattan, young cancer patients struggle with their treatment. But they also have an outlet, a safe place to express themselves.
This “WNYC Cultural Minute” was broadcast on the public TV station WNYC in the late 1990s, before it went off the air. I’m including it here, on ThoughtCast.
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The inimitable Tom Hoving discusses art forgeries, and how to spot them, on ThoughtCast!
Tom Hoving, former director of the Metropolitan Museum in New York City, speaks with Jenny Attiyeh (reporting for WNYC TV, now off the air) about his book – and his career – spotting, and yes, falling for fakes.
False Impressions: The Hunt for Big-Time Art Fakes tells the story of many famous frauds, some of which made their way inside the daunting doors of the Met, the Getty and elsewhere, before being unmasked. In the process, Hoving sheds light not just on the rarefied world of high priced antiquities, be they fair or foul, but on his own mercurial personality.
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When I interviewed Paul Pascarella, back in the 90s, I confess he was kind of a friend. Which made following him around with a camera in his Arroyo Seco studio a lot smoother than usual. It’s not easy to gain this access, to watch an artist at work, especially if you’re trying to record each idea as it hits the canvas. The act is extremely revealing.
Perhaps this is why Paul doesn’t stick with his “work-in-progress” for very long. The hands-on phase of this WNYC TV story is relatively brief, followed by a show-and-tell of various examples of his work. Paul has always been a flexible artist, never adhering to just one style. He is, I think, a happy painter, not one gripped by terrors in the small hours, or as they used to say, existential dread.
And who can blame him? He lives in apparent freedom in Taos, New Mexico. As you will see, it’s a spectacular spot, one many famous painters have discovered in the past – Agnes Martin, Arthur Dove, Georgia O’Keefe, Marsden Hartley, Rebecca James, Andrew Dasburg. The list continues. Perhaps it has something to do with the huge spaces and the limitless light.
For an audio version of this story, click here: to listen. (4:42 mins).
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Andres Serrano: Works 1983-93 opened at The New Museum of Contemporary Art in Soho in early 1995. It was a mid-career retrospective, and I went there to interview the controversial artist for the PBS station WNYC TV. His infamous “Piss Christ”, among other ecclesiastical subjects, was prominently featured, as well as images of Ku Klux Klan members, and dead bodies photographed in a morgue.
Today Serrano continues to exhibit his work in group shows, but he seems to have calmed down a bit. Some subtler photographs taken in Cuba may seem to be a good deal humbler, but I personally find them to be quietly beautiful. In recent years, Serrano has also taken affecting portraits of New York’s homeless, in order to increase awareness of their circumstances.
For an audio version of this story, click here: to listen. (3:50 mins).
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An ideaspace for authors, academics and intellectuals, hosted by Jenny Attiyeh.
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