On a beautiful spring day in the mid 1990s, I meandered the streets of Red Hook, when it was still a rundown Brooklyn neighborhood. I met its first art gallery owner, and the two longshoremen who ventured inside. This is one of my favorite stories for WNYC TV, the PBS station I worked for in Manhattan. (This station too is now history.)
Let me know what you think!
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(2:30 minutes) to listen!
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Chanticleer, for those who’ve been lucky enough to attend its concerts already know, is a delightful all-male classical vocal ensemble. It’s sold over a million albums is an audience favorite. Highly versatile, the group performs a diverse repertoire, ranging from Renaissance music to gospel to new music to jazz. It’s all fabulous, as you will hear. I put it together for WNYC, when the public TV station still existed in NYC in the late 90s. Enjoy!
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Note: this mini-documentary, which was broadcast in 1996 on WNYC TV, a public television station in New York City, charts the creation of Les Enfants Terribles, a dance opera by the composer Philip Glass and the choreographer Susan Marshall.
Over the course of three months, Jenny Attiyeh saw this work of art, based on the novel by French Surrealist Jean Cocteau, take shape. The story of Les Enfants Terribles, which is also the final part of a Philip Glass trilogy inspired by the work of Cocteau, tells the tale of Paul and Lise, two adolescent siblings who are bound to each other in an unholy mix of love and jealousy. When they come into volatile contact with two other adolescents, the result is indeed terrible.
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So let’s say you have leukemia. You have relapsed. What can art therapy do for you? Here at Mount Sinai Hospital in Manhattan, young cancer patients struggle with their treatment. But they also have an outlet, a safe place to express themselves.
This “WNYC Cultural Minute” was broadcast on the public TV station WNYC in the late 1990s, before it went off the air. I’m including it here, on ThoughtCast.
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An ideaspace for authors, academics and intellectuals, hosted by Jenny Attiyeh.
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